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Virâgvasârnap (Palm Sunday), followed by three works - Meztelen vagy (Legend About the Death and Resurrection of Two Young Men, 1971), Szarvassâ vâltfiük (Sons of Fire, 1974) and Vârakozôk (Expectation, 1975) - evocatively photographed by Janos Kende and in the same mode. These four films have caused more critical dissent than most others in recent Hungarian memory. They have s...